I finally got a chance to look at these on a calibrated monitor. To my taste, the original is the best. Look at the water. It's a natural color in the original, cyan in the OP, and teal in Ken's. To my eye, both of those look unnatural and aren't pleasing.
I have had to deal with this problem a lot because I do night photography. Night photographers argue about how much the color cast, e.g., blue hour, should be kept. Some use a daylight WB and keep it all. Others neutralize it. The first often looks exaggerated to me, while the latter loses the character. My take is that the best is often in between, but it varies from image to image. The point IMHO is to create a pleasing and interesting image.
The golden hour cast in the original shot looks nice to me. I played a bit in Lightroom Classic, doing a quick and dirty edit but not changing the WB at all to keep the golden tone. As Ken suggested, I separated the bird from the background (using the new landscape features function, which makes it trivially easy to do). Among other things, I added texture and a tiny bit of saturation to the bird, as well as a bit of midtone contrast with a curve. I darkened the water overall, and then I used the color mixer tool to further darken the water and increase the saturation of that blue. I fiddled with overall exposure, increasing it but pulling down the whites. Just a crude quick and dirty, but it shows directions that I would go.